The Sands of Time

In the dark narrow slot canyon, a long exposure was needed to capture enough light and the sand cascading off the ledge. The frame on the back of the print is used to keep it flat but also to hang from a French cleat that is included, taped to the back along with print care and cleaning instructions. When hung with the French cleat, the print ends up looking like it floats just off your wall. Technical assistance by David “The Sandman” McKay.